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Lothar and the Hand People was a late-1960s psychedelic rock band known for its spacey music and pioneering use of the theremin〔Albert Glinsky, ''Theremin: Ether Music and Espionage'', University of Illinois Press, 2000, p. 341.〕 and Moog modular synthesizer.〔Trevor J. Pinch and Frank Trocco, ''Analog Days: The Invention and Impact of the Moog Synthesizer'', Harvard University Press, 2002, p. 15.〕 The band's unusual appellation refers to a theremin nicknamed "Lothar", with the "Hand People" being the musicians in the band,〔Jim DeRogatis, ''Turn on Your Mind: Four Decades of Great Psychedelic Rock'', Hal Leonard, 2003, p. 230.〕 who included John Emelin (vocals), Paul Conly (keyboards, synthesizer), Rusty Ford (bass), Tom Flye (drums) and Kim King (guitar, synthesizer). The band was notable for being "the first rockers to tour and record using synthesizers, thereby inspiring the generation of electronic music-makers who immediately followed them."〔Michael Roberts (March 16, 2000), "(Give the People a Hand )," ''Westword''.〕 Formed in Denver in 1965, Lothar and the Hand People relocated to New York in 1966. The band jammed with Jimi Hendrix and played gigs with groups such as The Byrds, Canned Heat, Chambers Brothers, Grateful Dead and The Lovin' Spoonful. Lothar and the Hand People played music for Sam Shepard's play ''The Unseen Hand'',〔Don Shewey, ''Sam Shepard'', Da Capo Press, 1997, p. 68.〕 and was the opening act at the Atlantic City Pop Festival. After three initial singles, Capitol Records released two albums by this short-lived band: ''Presenting...Lothar and the Hand People'' (1968, produced by Robert Margouleff) and ''Space Hymn'' (1969, produced by Nick Venet). A ''Rolling Stone'' review described Lothar and the Hand People's music: It is electronic country, a kind of good-time music played by mad dwarfs, and it is really good to listen to. There is no tension here, no jarring forces at war with each other. It may be strange that New York, the city which deifies speed and insanity, could produce this music, but it is as if Lothar and the Hand People have gone through this madness and come out on the other side, smiling.〔Lenny Kaye (May 3, 1969), (Lothar & The Hand People, Presenting ... Lothar & The Hand People ), ''Rolling Stone'' 32.〕 The band's most popular recording was the title song "Space Hymn," which received significant FM radio play.〔(AllMusic entry for Lothar and the Hand People )〕 The first album featured a notable "robotic" cover of Manfred Mann's UK hit "Machines" (composed by Mort Shuman), which Capitol released as a single.〔http://www.thevinyldistrict.com/storefront/2013/10/graded-curve-lothar-hand-people-presenting/〕 In 1997, The Chemical Brothers sampled the Lothar song "It Comes on Anyhow" in "It Doesn't Matter" on their album ''Dig Your Own Hole''. A music video for "Space Hymn" screened in 2004 at the New York International Independent Film and Video Festival and the ION International Animation, Games, and Short Film Festival in Los Angeles.〔(Space Hymn | Music Video | 2004 )〕 Lothar and the Hand People was the source for a ''Saturday Night Live'' skit called "Lothar of the Hill People" and a Boston-area theremin band named The Lothars.〔Dorothy Pomerantz (September 1, 1998) , "The Lothars Revive the Spooky Sounds of the Theremin", ''The Somerville Journal''.〕 ==Discography== 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Lothar and the Hand People」の詳細全文を読む スポンサード リンク
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